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Alberto Burri: The Trauma of Painting By Emily Braun, Megan Fontanella, Carol Stringari

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Review
...the catalogue accompanying the exhibition is a lodestone of information about Burri. Not only has Emily Braun, who supervised this exhibition, unearthed a wealth of information, but she has also written a substantial essay, “The Trauma of Painting,” that is wonderfully absent of academic jargon and hyperbole, making it a pleasure to read. (John Yau Hyperallergic)
In a dazzlingly researched, often eloquent catalog essay, Emily Braun, an art historian who oversaw the Guggenheim show, “Alberto Burri: The Trauma of Painting” (and is also curator of the Leonard A. Lauder Collection of Cubist Art), argues that Burri’s art is a crucial, underacknowledged link in the development of collage and assemblage and helped set the stage for a host of postwar art movements—Neo-Dada, Process Art, Arte Povera and more. (Roberta Smith The New York Times)
[Alberto Burri: The Trauma of Painting] reveals how the artist succeeded in deconstructing Western ideologies and, in that process, devised a singular language of his own. (Essential Homme)
About the Author
Emily Braun is professor of art history at Hunter College and the City University of New York. Kathleen Brunner is an independent art historian.
Emily Braun is professor of art history at Hunter College and the City University of New York. Kathleen Brunner is an independent art historian.
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